日本皇太子的梦中情人,邓丽君翻唱她的歌,美貌比肩李嘉欣关之琳(46图)
2020-01-13
作者: nemo

日本皇太子的梦中情人,邓丽君翻唱她的歌,美貌比肩李嘉欣关之琳





娱乐圈从来不缺盛世美颜,无论是搪瓷娃娃关之琳,还是恃靓行凶李嘉欣……都曾经震撼过年幼的大家,冲击过我们尚未建立的童年审美。

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而在日本,有一位同时期的女演员,美貌比肩李嘉欣和关之琳,被日本人誉为“昭和时代最后的绝色”,她就是泽口靖子。

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昭和脸是什么?

昭和脸,是种带有昭和时代的感觉,表情中有种怀旧感,有包容一切的柔和感。非常适合穿和服,给人以大和抚子的感觉。

现代具有昭和脸的女星

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有村架纯

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松冈茉优

真正昭和时代的女星

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宫泽理惠

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山口百惠

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中森明菜

泽口靖子,1965年出生于日本。

在日本第十一届东宝\"灰姑娘\"竞演会上,泽口靖子力压三万多名竞选者,夺得\"灰姑娘\"桂冠。

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这个著名的选美比赛,每5年举办一次,而第一届就选了个绝色美女泽口靖子。

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她的美既有东方美的神韵,又有几分西方美人的感觉(她本人并非网上所传的混血)。

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顶级美人阿佳妮也是这种东西方审美结合到极致的尤物。

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日本比较独特的审美观是喜欢兔牙,喜欢“清淡”长相。

泽囗这张脸把这些恶趣味恰到好处地转化为萌点和特质。上颌微高,露牙显娇俏,合唇又显出几分坚毅。

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王祖贤也是这种门牙,美人的兔牙犹如美人痣,年轻时反而添风韵。

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面相清新而不寡淡,一见忘俗又耐得住看,这种沁人心脾的美是经久不衰的。

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之前,有人质疑泽口靖子的盛世美颜照片是经过度PS的。我们来看一下动图。

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和网上流传的照片有些差别,但是抛去打光磨皮的因素,还是一个娇俏可爱的小姑娘。

一、少女时期的泽口是甜美俏丽的

对于妈妈一辈的记忆来讲,最熟悉她的角色应该是李香兰。一部《别了,李香兰》电视剧,让当年的国内观众记住了泽口靖子。

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她在这部影片中的角色,大概相当于《情深深雨蒙蒙》中的依萍……由于战争的爆发,权贵们只能在在刀光剑影中歌舞升平聊以自慰。

从中式旗袍到岛国和服穿在她身上都毫无违和感,极致的展现了东方美学。

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除了拍戏,她还是一位歌手。

那个年代流行演而优则唱。

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还记得邓丽君唱的那首《夜来香》吗?原唱就是泽口靖子,也是她主演的《别了,李香兰》中所唱的插曲。

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85年参加红白歌会的泽口

那个时期电视刚刚普及,引进的电视剧中最令人印象深刻的除了家喻户晓的山口百惠,就是这个甜蜜可爱的酱油姐姐。

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她在《酱油的女儿——阿香》中的阿香,表面云淡风轻的爱和心中浓烈的忍耐。

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《姐妹坡》里剧情比较狗血,基本是靠女主的颜值在撑。而里面的化妆更是敷衍,剧中的靖子基本都是素颜出镜。

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二、巅峰时期的泽口是端庄明艳的

褪去了婴儿肥的泽口,开始绽放惊艳之美,如画之美。

“西方骨+东方皮”,说的就是这个时期的泽口靖子。又洋气又古典。

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泽口这张神似波斯美人的相片

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换成金发碧眼完全可以出演《倚天》里的紫衫龙王。

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《竹取物语》中,她又成了月亮上的仙女竹姬。

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由于扮相太美,她在几年后出演了大河剧《太平记》。这些古装戏都是当时大河剧的变形,而出演大河剧是对一个演员无上的肯定,泽口也彻底登上了昭和女神的神坛。

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因为穿和服的样子太美,甚至带起了一波和服热潮。

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除了出唱片、拍广告,配合电视剧发行最多的大概是录像机时代特有的产物——录像带。

九零后的宝贝们基本已经见不到这个东西了,但是当年泽口出演的每一部剧都会被音像店摆在最显眼的C位。

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同时期,泽口每个月都要出一本的写真一旦上架立马就会被抢售一空。

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还记得小时候外婆给我们打毛衣时的编织书吗?其中很大一部分来自岛国,而当时登上封面的女星便是泽口。这在当年可是比芭莎封面的含金量还要高。泽口靖子也称得上是最早的时尚icon。

也因此,她成了当年婆婆们最爱的“国民媳妇”……

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为什么有人穿奶奶毛衣都会这么好看?

三、老年的泽口靖子是从容优雅的

如今55岁的泽口靖子,依然活跃在银屏上。

她的《科搜研之女》已经拍了十几季,扔在一堆鲜肉美女偶像剧中,依然保持着超高收视率。

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而现在她的一张古老海报,已经卖到了500元(当然是人民币)。

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另外,宫崎骏动画《千与千寻》中千寻妈妈的配音,也是泽口靖子。

就是辣个因为贪吃变成猪的女人。。。。

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除了颜值和演技,她谜一样的感情也成为了当年视她为白月光的大叔们永远的痛。

她曾说过30岁后才想好好工作,目前看来,还是一位不婚主义者。没错,她现在依然单身……

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尽管连日本皇室成员都表示泽口靖子是自己的梦中情人,但泽口至今未婚,全心从影。

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这是她自然老去的样子,跟年轻时俏丽的撕漫女面容相比,多出了一份从容和知性。

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这份美,是可以一直持续下去,并且会越来越美的。

这也印证了那句话“上天造美人,远比人类高明”

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